Red-figured volute krater, attributed to the Iliupersis Painter

Period
Apulia, 360 B.C.
Dimension
H. 80 cm (31 1⁄2 in)

Private collection Bugli, Switzerland, prior to 1972
Private collection, Switzerland, acquired from the above on 18 April 1972

Homère chez Calvin. Figures de l'hellénisme à Genève. Mélanges Olivier Reverdin, Genève, Droz, 2000, 262 no. C25

Musée d'art et d'histoire, Genève, from 21 september 2000 until 4 march 2001

Side A:  a head wearing a Phrygian cap flanked by two floral bands on the neck and ivy decoration above. The middle of  the body shows a naïskos with two figures, an elderly, bearded man and a child, perhaps Aeneas and Ascanius. The scene probably depicts Aeneas fleeing the city of Troy, taking his son Ascanius with him; two figures on the left: a naked man with a phiale in his left hand and a woman holding a box; on the right, three figures: a seated woman in discussion with a standing man and a a young man running to the left below. The figures around the aedicula (naiskos), who do not belong to the myth, show that the schene is reinterpreted in a funerary context (the deceased identifies with the heroes of the epic). 
Side B: two floral bands on the neck, ivy decoration below the lip and a pamette between tendrils. The body decrorated with four figures: a seated woman with phiale or basket and crown, another standing woman holding a mirror; two seated, naked man, one of them with a bird on his righ hand. This crater most probably forms a pair with an amphora by the same painter.

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